I’ve been wanting to write about this for a while, and after reading Miss Tango’s post called Porteños vs. the Others, as well as Elizabeth’s post called Owning It, I’m particularly inspired.
Here in Argentina, I notice something that I rarely see “up north” - the women move their hips. Watch just about any porteña walking down the street, and while it’s not exaggerated, there is a particular sway to the hips that you don’t see in Anglo countries. Go to a milonga and you’ll see the women effortlessly disassociate their hips from their upper body. And not because they were taught to. They do it because they just do. Their hips have more freedom of movement when they dance. They move grounded, connected to the earth, and they allow their feminine bodies to move as they are naturally supposed to move. (Living proof would be in my ex’s niece, who we taught to walk and do ochos as she was curious - she has never danced Tango in her life but she instinctively knew just what to do with her hips. It was amazing. I have never seen it up north. Ochos are so much nicer if you just let your hips be!)
I was always concerned with being as straight and stiff as possible with my Tango, maybe because so many people have related it to ballet for some reason. Yet since I’ve been down here and had two different private lessons (each with a different teacher), I have been told the opposite of what I’ve been trying to do and I realize that I agree with what they are telling me.
Each teacher, coming from totally different tango backgrounds, told me the same thing - to walk like a woman and let my hips be what they are (NOT to force them to move - but just to let them be hips). Both teachers told me that they see this problem quite often with North American women - we don’t move our hips naturally. We stiffen up. We are afraid to be sexy. Afraid to be labeled as whores or criticized if we let our hips sway a little.
Javier really drove this home with me in our lesson. He made note of my curves and said that I seem to dance like I’m afraid of them. Normally I’m not, but when I dance I get a little shy. So we worked on my body confidence and on walking like the woman I am. He reminded me to be proud of my hips, proud of my curves, proud of my soft tummy, proud of my breasts and to dance like it. (Not to prance or wiggle or do salsa moves - but to be ME.) He wanted me to walk “all’Italiana” (his words)… “Channel my inner Sophia Loren?” I said. He laughed, “exactly!”
Vilma, the other teacher, said more or less the same thing, but came from the point of view of being grounded, centered, connected to the earth. She made me realize how much more comfortable it is to dance if I just allow my body to dance. Embrace fully, and let your body do what it needs to do. Being ashamed of your body or being afraid of your curves or sexuality makes the dance only half of what it could be.
Whenever I return to Seattle from a place like Italy or Argentina, I notice a huge difference in the way women move. Up “north”, they walk straight and tall, striding, careful not to let the hips move even a inch. It’s like watching boxy, sexless, suppressed robots move down the street with no hint of individuality or freedom or happiness.
When I was in high school I wanted to be a model - I got a couple of jobs but it was hard as I didn’t look like a boyish waif - I looked most definitely like a woman then. I was always told NOT to move my hips at all when I walk. I remember hearing people in the industry criticizing a particular supermodel for letting her hips sway on the runway. I quit when one agent told me that my hips were too big and that I’d have to lose weight to make them smaller - um, I was quite skinny at the time so the only way to make my hips smaller would have been to perhaps remove my hip bones entirely!
I find it interesting - it’s as if women are expected to be men or boys. It’s why I flourish when I’m down here or in Italy - I find it so free and easy to be 100% woman in the way that I want to be. Curves are celebrated. Femininity is appreciated. It’s okay to be sexy. It’s okay to move your hips.
Just some observations… Let’s let my favorite Colombian-Lebanese belly dancer Shakira take over, shall we? After all, hips don’t lie… ![]()



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Three cheers for the hips! There is a reason our hips to what they do when we walk, and there is no denying it!
There is a little move I do when the leader brings me into an ocho cortado on a slow, soft beat. I dip into my hip and then do a little tiny partial pivot coming back up into the cross collection. It feels so girly to do that. And most leaders (who have noticed) like the way it feels. Although if he isn’t paying attention and decided to do a double ocho cortado, I’m in trouble because languorous and staccato don’t go together well.
Embrace, walk, and that hips are the reasons that I keep coming back to BsAs.
Tina, a very interesting post. What most people do not realize is that technically speaking, most turns, pivots, or twisting motions require a great disassociation between the upper body and the hips. The fact that women’s hips are proportionately wider to their body than men’s are to theirs is what makes them “sway”.
The beautiful, natural hip movements women try so hard to suppress are actually what allow technically correct dance moves.
I agree with most of what you say, but as a leader I can tell you that many women seem to confuse the hip sway with allowing the hip to collapse and having a “mushy” core. It’s fine if the hips sway as long as the hips receive the full linear energy in the lead. There are few things that bug me more then having the followers pelvis swinging back and forth as they step.
I love this post. I have been thinking about hips for a week now. Now being in flamenco class and I’m actually being told to use my hips–I felt this little spark of joy inside. I am still trying to get used to this way of moving.
Like you, I realize how “straight” I have been trying to make myself for tango. I don’t know how it happened.
Now I will try to remember what you learned from Javier and apply it to my tango dancing, too.
Thanks for your comments everyone
Sorin you make a good point. As a belly dancer (yup, I do that too), I have to say that there is nothing weirder looking than a dancer (of any kind) who loses control of her core and lets her hips “collapse” as you say. It creates the opposite effect of what we’re going for here…
This is wonderful! I just had a conversation with another follower about hip movements when doing ochos - I had been told by a teacher to keep them very still, but it feels more natural (and yes, my core is engaged!) to sway them slightly. I think it feels and looks nicer. In fact, I try to take advantage of a nice hip sway whenever I can, seeing as it’s the only truly curvy part of my body!
Great post Tina! You have verbalized very well what a woman’s hips are “supposed” to do. I’ll have to start watching/observing this more en el norte. I’m curious.
Plus, I love hips. I just love them. And the women that are attached to them.
For some reason, a lot of the teaching that we had early on, was forcing me to be very straight up and hips very still. The disassocation (I hate that word) of the hips is just twisting at the center, not like the natural rolling motion of the hip. In any case, when I went to BA I was told immediatly to loosen up so that the nice bottom area could become the hypnotic center of attention that it so obviously is in Argentina. I was pretty happy about this, because I too spent a long time in the Middle Eastern Dance world. My hips like to move. My back and everything feels better, and I know I dance better. Core still has to be strong.
Brava Brava Brava!! I applaud you my friend! When I was little I used to watch all the “I Love Lucy” I could. I mimicked Lucy and how she would cascade into the room. Swaying her hips left and right, like the gorgeous woman she was. I enjoyed this post very much, and I never thought about how the Anglos walked compares to other cultures.
baci!
Hey, Tina, don’t know if you’ve ever noticed this, but MEN’S hips move more down here too. I have video to prove this.
Considering we also move up and down a lot more down here in our tango than they do in El Norte, I guess it’s a full-compass deal.
It’s also pretty undeniable that the average “hip area” is a bit more fabulous with the Portenas than it is up home for some reason…. I credit the 167 lbs of beef per year; others (spoilsports) credit plastic surgery. Every woman down here has butt implants?
Tina,
Super, super well-said post!
This is a problem that Ruben and I wrestle with our students from up north a lot.
Once long ago, traveling tango teachers decided that tango dancers should be the opposite of every other latin dancer, and be hipless robots. The result is stiff, unnatural dancing.
It’s not that you should sway or move the hips, just relax them and let them move naturally. .And this goes for the men too.
It’s only then, when you dance with your whole body and mind and soul, that you can express the music. How can you do that if you’re afraid to move?
it’s funny — a couple of girlfriends i used to spend some time with back in college constantly made fun of me for taking belly-dancing classes… um, the belly-dancing stuck with me, and i dropped the girlfriends when they started referring to me as “the far eastern sex-slave.”
“up here”, women really are afraid to be women… i think it stems from the same fear (and ignorance) of cultures that do horrible things to women, like body modifications, so that they are “protected from” the “dangerous male.”
and now, in north america, women try to shed their femininity because they feel a need to protect themselves, against themselves! against their own womanhood. because they think people will take them more seriously if they seem more male — that their femininity is some sort of disabilty. we can see it in they way they walk over here. it’s so twisted.
now i want to take up belly dancing again, lol. i’ve heard it does amazing things for disassociating the hips in tango!
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